PAVLOS PANAGIOTIDIS
DOOMSCROLLING
ARTIST BIO
ABOUT THE WORK
Peter Brook has written that any empty space can be called a bare stage. Does the same premise apply to cyberspace? What if every empty online space can be seen as an empty stage? If someone walking across space and someone watching them are all it takes for an act of theatre to engage, does that mean that someone posting on a social media platform and someone seeing the post are all it takes for an act of cybertheatre to engage? In a project that started before COVID-19 outbreak, but now seems more relevant than ever, Pavlos Panagiotidis explores the possibilities of devising, directing, acting and spectating in the cyberspace.